Our next show took us West towards Toulouse to the medieval town of Villefranche De Rouergue- it's a place few French people seem to have heard of from outside the area. It's a network of tall old buildings criss-crossed with alleyways and it feels ancient. It's hard to work in the area but cheap to live so the town has attracted a lot of creative souls. We met a lot of fascinating people in a short space of time here at Les Hauts Parelurs - a cafe/bar/gallery/performance space... I'm looking forward to listening to the minimalist reich-esque music our host Romain Scrap makes with metal bowls and metronomes...
Friday, 9 October 2015
Europe tour with ICHI - final shows...
Between our show in Venice and the next one in Villefranche De Rouergue we stopped one night with our friends Enrico and Francesca in the village San Rocco in Valpolicella and one night again with Mael in Lyon where he was playing guitar with the great singer Sahra Halgan from somaliland ( http://www.sahra-halgan.com )
Our final show took us up to Dijon where we played at Les Lentilléres, a sort of collective garden/allotment/alternative living site...
Wednesday, 7 October 2015
Europe tour with ICHI - Italy!
Our first Italian show was in Milano, organised by Maurizio Abate - the venue a community bike workshop 'ciclofficina' run by 'Associazione UNZA!' - a bit like Bristol Bike Project but without the shop element.
For these three Italian shows me and Eiichi did our solo shows and also his other project Flyhoop which is semi-improvised music to super8 film projections...ICHI had forgotten the spool for his projector but serendipitously it turned out the guys at ciclofficina were super8 enthusiasts and gave him a spare spool.
Maurizio took us to an abandoned mental health institute the next morning before we left for San Martino Spino:
The 3rd we headed southeast to San Martino Spino where Tiziano Sgerbi ( http://www.fooltribe.com/bobcorn/ ) aka Bob Corn runs Barchessone Vecchio, a bar and performance space in the countryside with his brother Matteo.
It's a really special place I wish I could replicate near Bristol. The mosquitoes ate us alive but at least that lent extra resonance to ICHI's 'go gagambo'; next year Tizio is planning a walking tour along a river from the foothills of the mountains to the sea...
Sunday took us to Venezia where Diego Poletti had organised for us to play at gatarigole festival, a small festival for the Venetian locals (gatarigole means tickles in Venetian dialect)
We're a little in love with Venice - we were very happy to be back there. It's impossibly beautiful and the people are so friendly and kind.
ICHI had a big crowd in the evening and I was over the moon to get to play some songs on a row boat whilst the audience watched from other row boats around us.
Thursday, 1 October 2015
Europe tour with ICHI days 2-5
Sunday took us to Paris where ICHI played at Point Ephemere by canal St. Martin - it's a pocket of Paris we've got to know quite well over the years through our kind and super talented friends Kate and Jesse ( of This Is The Kit - http://thisisthekit.co.uk )
Monday we spent the day with Kate and Jesse, playing at Le Pop In in the evening supporting KIDSAREDEAD ( http://kidsaredead.bandcamp.com ) - I'd met Vincent before in Bristol but never seen his show - his song structures and his style are unique and his feeling I'd compare to Francois of Francois and the Atlas Mountains or Jeff Buckley or Fumino Suke from Tsuki No WA ( http://youtu.be/MbUNcEPxoM4 ) but perhaps with higher energy...
Great to play at Le Pop In again. I wish we could bring that venue back to Bristol with us.
Tuesday we played in beautiful Lyon, at Le Bal Des Fringants - a show organised for us by Maël of L'etrangleuse ( http://letrangleuse.bandcamp.com ) and Orchestre Tout Puissant Marcel Duchamp ( http://www.otpmd.ch/news.html ).
Wednesday to Lausanne where Liz ( also a member of OTPMD ) organised us a show for the children of the music school she works in and their parents - we played at the back of l'eglise evangelique de Lausanne...
Sunday, 27 September 2015
Europe tour with ICHI day 1 - Lille
Lille at Centre Culturel Libertaire was a great start to the tour - a collective space with an anarchist bent; lots of friendly people. We met and heard the incredible Melodie playing music with plants: By using plants to complete oscillator circuits she produces a range of sounds... If the circuit is completed with both wires in the same leaf it's a high pitch; the further apart the leaves the deeper the sound. Eventually the plants stop producing noise (presumably because they think the sharp wires are insects) by sending acid to the area: The acid cuts the signal and she has to start again... Hibiscus is her favourite plant sound.
I asked her if she ever asks audience members to bring plants from home so they can hear what they sound like but she told me it doesn't really work - people don't bring them or they discuss the idea and - as in the case of someone willing to offer their orchid as band member - they decided against it because the orchid was in flower, a vulnerable stage in its life cycle so it was likely to lose its flowers... Another project of Melodie's which I've not listened to yet is Plants vs Animals: Her plant music, field recordings of animals, a talented vocalist and a trumpeter. A future project inspired by a deep hum she couldn't source whilst practicing is to be Plants vs Construction sounds...
Anyway, I urge you to have a listen and read more about it - her idea has me feeling excited and inspired. Us humans are total nutters.
Check her out!
"Musique experimentale avec des plantes"
http://www.a-melodie.com
Also playing were Paper Planes, a post-rock band from Frankfurt - all lovely guys and a great set from them too.
CCL Lille website: http://lille.cybertaria.org
Thursday, 24 September 2015
Europe tour 2015
ICHI and me set off on tour this Saturday to France, Switzerland and Italy!
The details are below:
26/9 - Centre Culturel Libertaire (Lille, FR)
http://
27/9 - Point Ephemere (ICHI only) (Paris, FR)
http://
28/9 - Le Pop In (Paris, FR)
http://popin.fr/popinweb/
29/9 - Le Bal Des Fringants (Lyon, FR)
http://
30/9 - Eglise Evangelique De Villard (Lausanne, CH)
02/10 - Associazione UNZA! (Milan, IT)
https://www.facebook.com/
03/10 - Barchessone Vecchio (San Martino Spino, IT)
(Home to the wonderful Bob Corn (Fan Page))
04/10 - Gatarigole Festival (Venice, IT)
https://www.facebook.com/
07/10 - Les Hauts Parleurs (Villefranche De Rouergue, FR)
http://
08/10 - Les Lentilleres (Dijon, FR)
https://www.facebook.com/
Sunday, 28 December 2014
Lagos to Mohammedia and Mohammedia to Agadir
The Marmite was confiscated by airport security - it was slightly too big to pass through: In this sad and ludicrous moment I pleaded cheerfully "there will be unhappy sailors" to no avail but at least the airport staff were empathetic, laughing but mourning the destruction of yet another jar...
In Faro it's warm and palms are growing, we flew low over yachts at anchor, shallow weeded sand banks and channels cutting out to sea, a typical lighthouse on the edge of a small settlement, a thin breakwater separating the sea from a haven.
It's my first time in Portugal and on the bus to Faro train station I'm pleased to see the Portugal I already have in mind - the houses are whitewashed, a spotted dog nuzzles it's snout against the wall, a red bank eroded, tree on top, roots visible.
Sailing reminds me that humans are wonderfully absurd, complex, resourceful creatures but at it's core, sailing is ever so simple - there isn't a more elegant form of transport
There's a lot of wind and a lot of swell on the crossing to Morocco and we're accompanied by dolphins on the second morning - they play towards the bow, dive out and in again with such ease and we must concentrate our efforts at the helm to keep Ponape steady and cooking a basic meal is worthy of applause.
In a calm moment after our first meal, we get out instruments and play to the night. The moon is nearly full, the stars are bright and we have some beer.
Arriving into the port of Mohammedia after 55 hours, we can't see a space at the marina so we moor against a quay wall just in time for the call to prayer - this makes our arrival real, we now feel that we're out of Europe and what's commonplace here is exotic to us.
We joke, perhaps they're singing "wrong place to moor, find another place", a couple of shots fire and it sounds like guns, we joke again...
Once officials have been appeased, a mooring is arranged at the marina - papers are exchanged, passports stamped and shore passes granted, we hungrily venture out into Mohammedia along a long straight palm-lined road, we're drenched by a downpour and a kind stranger brings us in to shelter in the entrance of a warehouse, exhanging greetings and subsequently pointing us in the right direction for food. We're adopted by a keen Moroccan man who chooses and orders our food before we know what's happening and then disappears into the night - a huge plate of meat arrives in front of each of us, liver, chicken and beef. It's not quite what we'd have chosen but we eat what we can fit in. We leave our table and our seats are taken instantly as a local polishes off the remnants of our meal.
The following day is spent on the boat making repairs and I'm sent up the mast to investigate a problem with the rigging and to attach the inner forestay.
Now shipshape, we settle on departing for Agadir the following morning, weather permitting.
There appears to be a sizeable fishing industry operating in the waters outside of Mohammedia and being unfamiliar with these boats and their methods we're keen to keep clear of fishing boats to make sure that we don't foul the propeller on a net or get into any difficult situations and be forced to change course quickly.
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Despite our precautions it's inevitable we'll come close to a fishing boat every now and then as we're heading along the coast and their headings are perpendicular to the shore. The general rules of navigation are international but instead of passing us astern, a fishing boat cuts across our bow and we're forced to snuff the cruising chute. Unfortunately a slack line ends up in the water and when George starts the engine we foul our own propeller in the process of trying to avoid the fishing boat.
This is not ideal but I've encountered a lot of fouled propellers at work and, touch wood, there's never been engine damage as a result. We discuss our options and decide to continue because the wind is in our favour and if the engine is damaged it makes more sense to reach Agadir and arrange a tow than it does to turn back to Mohammedia.
The following day, George spends a couple of hours in the water diving and cutting at the tangled clump of rope on the prop, knife in one hand, whilst I keep hold of a line we've attached him to for safety - once defouled, we start the engine and thankfully, it purrs happily.
I was excited to see a flying fish for the first time - the sensation was similar to seeing a kingfisher fly, beautiful and fleeting. That same night as George slept in the galley it was good sailing, moonlit water and phosphorescence but an effort to keep to course. Suddenly a slight but sudden change of conditions caused the waves to be directly on our stern - it was suddenly very easy to helm but as the waves were travelling only marginally faster than us it caused a very strange sensation - it seemed suddenly as though we were travelling backwards. Every logical part of me and every instrument on board indicated that we weren't but I couldn't shake the feeling which was part exhilaration, part terror. I knew I was in control but I felt like things were suddenly the wrong way round, my imagination took me to unlikely conclusions.
On the approach to Agadir, to port is the shore - we're keeping four miles out, almost silent in the calm. After a little while a light shines out from the darkness to starboard, alarmingly close - it's a fisherman making us aware of his presence and we reply with a similar flash of light to reassure him. Eventually a long string of dim lights appears in the night - a whole community of fishermen on large rusty boats with nets and small boats with high bows and outboards for travel to the shore. As we close on the waypoint for the approach I look out from the bow, hugging the furled genoa with one arm and holding the bearing finder with the other hand - this water is busy with ghost-like fishermen heading out to sea, their small pointed bows creating silhouettes of a deeper darnkness - they're barely discernible against the moonlit water - it's mildly alarming and beautifully evocative.
When we arrive in Agadir, we're very pleased to have satellite navigation - our plan on paper is fine but the entire port is lined with bright shops and restaurants. It's like a festival and difficult to distinguish the correct marker buoys and lights on the end of breakwaters from lights with a less crucial purpose. Agadir greets us with bold Arabic lettering illuminated on the hillside and we're so tired on arrival that we sleep deeply enough for me to miss my flight back to Bristol. It's a hilarious day in Agadir - deliriously tired, meeting the incredible characters on the other yachts in the marina - some sailors are making cheese on board their boat and selling it when they arrive in port, a family has been sailing with their ten year old son since he was born...
Sailing is wonderful...
In Faro it's warm and palms are growing, we flew low over yachts at anchor, shallow weeded sand banks and channels cutting out to sea, a typical lighthouse on the edge of a small settlement, a thin breakwater separating the sea from a haven.
It's my first time in Portugal and on the bus to Faro train station I'm pleased to see the Portugal I already have in mind - the houses are whitewashed, a spotted dog nuzzles it's snout against the wall, a red bank eroded, tree on top, roots visible.
Sailing reminds me that humans are wonderfully absurd, complex, resourceful creatures but at it's core, sailing is ever so simple - there isn't a more elegant form of transport
There's a lot of wind and a lot of swell on the crossing to Morocco and we're accompanied by dolphins on the second morning - they play towards the bow, dive out and in again with such ease and we must concentrate our efforts at the helm to keep Ponape steady and cooking a basic meal is worthy of applause.
In a calm moment after our first meal, we get out instruments and play to the night. The moon is nearly full, the stars are bright and we have some beer.
Arriving into the port of Mohammedia after 55 hours, we can't see a space at the marina so we moor against a quay wall just in time for the call to prayer - this makes our arrival real, we now feel that we're out of Europe and what's commonplace here is exotic to us.
We joke, perhaps they're singing "wrong place to moor, find another place", a couple of shots fire and it sounds like guns, we joke again...
Once officials have been appeased, a mooring is arranged at the marina - papers are exchanged, passports stamped and shore passes granted, we hungrily venture out into Mohammedia along a long straight palm-lined road, we're drenched by a downpour and a kind stranger brings us in to shelter in the entrance of a warehouse, exhanging greetings and subsequently pointing us in the right direction for food. We're adopted by a keen Moroccan man who chooses and orders our food before we know what's happening and then disappears into the night - a huge plate of meat arrives in front of each of us, liver, chicken and beef. It's not quite what we'd have chosen but we eat what we can fit in. We leave our table and our seats are taken instantly as a local polishes off the remnants of our meal.
The following day is spent on the boat making repairs and I'm sent up the mast to investigate a problem with the rigging and to attach the inner forestay.
Now shipshape, we settle on departing for Agadir the following morning, weather permitting.
There appears to be a sizeable fishing industry operating in the waters outside of Mohammedia and being unfamiliar with these boats and their methods we're keen to keep clear of fishing boats to make sure that we don't foul the propeller on a net or get into any difficult situations and be forced to change course quickly.
Despite our precautions it's inevitable we'll come close to a fishing boat every now and then as we're heading along the coast and their headings are perpendicular to the shore. The general rules of navigation are international but instead of passing us astern, a fishing boat cuts across our bow and we're forced to snuff the cruising chute. Unfortunately a slack line ends up in the water and when George starts the engine we foul our own propeller in the process of trying to avoid the fishing boat.
This is not ideal but I've encountered a lot of fouled propellers at work and, touch wood, there's never been engine damage as a result. We discuss our options and decide to continue because the wind is in our favour and if the engine is damaged it makes more sense to reach Agadir and arrange a tow than it does to turn back to Mohammedia.
The following day, George spends a couple of hours in the water diving and cutting at the tangled clump of rope on the prop, knife in one hand, whilst I keep hold of a line we've attached him to for safety - once defouled, we start the engine and thankfully, it purrs happily.
I was excited to see a flying fish for the first time - the sensation was similar to seeing a kingfisher fly, beautiful and fleeting. That same night as George slept in the galley it was good sailing, moonlit water and phosphorescence but an effort to keep to course. Suddenly a slight but sudden change of conditions caused the waves to be directly on our stern - it was suddenly very easy to helm but as the waves were travelling only marginally faster than us it caused a very strange sensation - it seemed suddenly as though we were travelling backwards. Every logical part of me and every instrument on board indicated that we weren't but I couldn't shake the feeling which was part exhilaration, part terror. I knew I was in control but I felt like things were suddenly the wrong way round, my imagination took me to unlikely conclusions.
When we arrive in Agadir, we're very pleased to have satellite navigation - our plan on paper is fine but the entire port is lined with bright shops and restaurants. It's like a festival and difficult to distinguish the correct marker buoys and lights on the end of breakwaters from lights with a less crucial purpose. Agadir greets us with bold Arabic lettering illuminated on the hillside and we're so tired on arrival that we sleep deeply enough for me to miss my flight back to Bristol. It's a hilarious day in Agadir - deliriously tired, meeting the incredible characters on the other yachts in the marina - some sailors are making cheese on board their boat and selling it when they arrive in port, a family has been sailing with their ten year old son since he was born...
Sailing is wonderful...
Thursday, 11 December 2014
Kit Mix #69
Richard of Kit Records asked me to make a mix and I had a lot of fun coming up with this - find the full post on the brilliant Kit Records website...
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